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Jonathan Franzen: The Comedy of Rage, by Philip Weinstein
PDF Ebook Jonathan Franzen: The Comedy of Rage, by Philip Weinstein
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Jonathan Franzen: The Comedy of Rage is the first critical biography of one of today's most important novelists. Drawing on unpublished emails and both published and private interviews, Philip Weinstein conveys the feel and heft of Franzen's voice as he ponders the purposes and problems of his life and art, from his earliest fiction to his most recent novel, Purity.
Franzen's work raises major questions about the possibilities of contemporary fiction: how does one appeal to a wide audience of mainstream readers, on the one hand, while persuading connoisseurs, on the other, that one's fiction has staying power, is high art? More acutely, how did Franzen move from the rage that animates his first two novels to the more generous comic stance of the later novels on which his reputation rests?
Wrestling with these questions, Jonathan Franzen: The Comedy of Rage unpacks the becoming of Franzen as a person and a writer-from his ultra-sensitive Midwestern childhood, through his heady years at Swarthmore College, his marriage, and the alienating decade of the 1990s, up to his spectacular ascent and assimilation into pop culture as one of the literary figures of his generation. Weinstein joins biography and criticism in ways that fully respect their differences, but that also grant that the work comes, however unpredictably, out of the life.
- Sales Rank: #1243884 in Books
- Published on: 2015-10-22
- Released on: 2015-10-22
- Original language: English
- Number of items: 1
- Dimensions: 8.77" h x .93" w x 5.80" l, 1.00 pounds
- Binding: Hardcover
- 248 pages
Review
"...synthesizes from Franzen's conversations and correspondence with Weinstein, extant interviews, and Franzen's own writings a convincing psychological portrait of an author who recovered from depressive years of being angry with himself by projecting that anger and rage outward and then finding love of himself and others.” – Tom LeClair, The Daily Beast
“From The Twenty-Seventh City (1988) to Freedom (2010), and with some reference to �Franzen's newest novel, Purity (2015), Weinstein traces the author's oeuvre to uncover its creative impulse. He asserts that Franzen's artistic drive rests on his ambivalence, his simultaneous desire to both critique his world and be accepted and loved by it, a conflict that Weinstein defines as the "comedy of rage." Chapter-length close readings and biographical details frame, contextualize, and expand upon Franzen's major works. Drawing on the novelist's essays and previously published interviews as well as personal interviews and emails (Weinstein met Franzen when both taught at Swarthmore College), �Weinstein assembles a careful and convincing argument. �VERDICT Fluent and immersive, Weinstein's criticism will interest not only scholars but also writers. Strongly recommended for academic libraries. (Starred review)” – Library Journal
“Jonathan Franzen: The Comedy of Rage is a virtuoso performance, a triumph of rigorous thought, canny, profound insight, verbal prowess, creative imagination, and magisterial judiciousness. Weinstein's wise, sensitive, and witty account of Franzen's growth and development makes a compelling argument for Franzen's place as America's preeminent writer. Like Franzen's fiction, Weinstein contemplates issues that fascinate and vex us all: the nature of values, personal growth, pain and suffering, intimate relationships, failure and frustration, hope and happiness. Jonathan Franzen: The Comedy of Rage is literary and cultural critique of the highest order.” – Robert H. Bell, Frederick Latimer Wells Professor of English, Williams College, USA
“Weinstein's rigorously critical approach to The Corrections and Freedom reminds us that while Franzen is a legitimate contender for the mantle of literary greatness, the jury is still out. Instead of simply declaring victory for his man, Weinstein invites the reader to engage in a serious conversation about the art of modern American fiction. What more could one ask?” – David R. Riggs, Professor Emeritus of English, Stanford University, USA, and author of Ben Johnson: A Life and The World of Christopher Marlowe
“Philip Weinstein's new book on Jonathan Franzen is a probing and incisive study of an American novelist who has become one of the most recognized figures of the millennial generation. In this convincing auteur study, biographical detail and intensive close readings of the work are seamlessly combined to produce illuminating discussions of Franzen's career and celebrity status, his difficulties with writer's block, the encyclopedic range of his novels, and his relationship with David Foster Wallace. Weinstein successfully establishes the centrality of Franzen's work at mid-career and at a moment when his image and capacities as an important writer are beginning to emerge more clearly from the chemical bath of contemporary canon-formation.” – Patrick O'Donnell, Professor of English, Michigan State University, USA
“In Jonathan Franzen: The Comedy of Rage, Philip Weinstein traces an increasingly well-known story about his subject…Yet Weinstein is troubled: … Weinstein finds it difficult to square what he sees as [Franzen’s] toing and froing between 'mainstream' and 'elite' concerns…. He asks: 'How do the suspicious intellectual loner and the mainstream writer idolized by millions (and despised by sizable numbers) come together as one person.'” -Roz Dineen, Times Literary Supplement
Excerpted in Salon.
“Weinstein's Jonathan Franzen: The Comedy of Rage is a must read for writers who want to understand how a novelist puts a body of work together. Weinstein (Swarthmore College) looks at how Franzen’s obsessions become the threads of his novels. Franzen―whose breakout novel was The Corrections (2001)―taps into all the anger, rage, disappointment, and insanity of an American family. When one reads Franzen, one is entertained. Weinstein reveals the building blocks of that entertainment―sex, bad parenting, misogyny, and the miserable pain that family members can perpetrate on each other. Being human is a messy business, and writing about how messy it is can be messy. Weinstein unravels how writing about that messy process takes place―how Franzen takes all that is wrong in the US and writes domestic novels that make him both a best-selling author and the darling of the literati. Summing Up: Highly recommended. Lower-division undergraduates through faculty and professionals; general readers.” -K. Gale, University of Nebraska, CHOICE
About the Author
Philip Weinstein is the Alexander Griswold Cummins Professor of English at Swarthmore College, USA. The recipient of several NEH Fellowships and an ACLS Fellowship, and past President of the Faulkner Society, Weinstein has written books that range from James to Faulkner and Morrison (in American literature), and from Dickens through Joyce (in British literature). These include Faulkner's Subject: A Cosmos No One Owns (1992), What Else But Love? The Ordeal of Race in Faulkner and Morrison (1996), Unknowing: The Work of Modernist Fiction (2005). Weinstein's Becoming Faulkner (2010) was the recipient of the Hugh Holman Award for the best book written on Southern Literature. He is also the editor of The Cambridge Companion to William Faulkner (1995).
Most helpful customer reviews
0 of 0 people found the following review helpful.
A good approach about a great writer.
By Edoardo Angeloni
Franzen is actually the most famous writer of Usa, and Weinstein tries to understand the reason of this success. But that doesn't be an obvious operation to level of mass-media, as it can like in relation to the great number of his books bought by the people of all world. Weinstein explicates as the work of Franzen is of the same type than the great authors whom have produced the important literature in Usa. Here they are contained the points of view of Weinstein about the principal books of Franzen, and I am happy for the deep attention which with not only the facts of the romance are descript, but also the same language and the words used are analyzed. A book at least which makes us to think.
2 of 4 people found the following review helpful.
A high brow book report...
By Gut Reaction Reviews
In the introduction to this book, Weinstein writes, “persons attempting to find in my book a standard biography of Jonathan Franzen will be … disappointed.” This would not be an issue had the description in Amazon started with this line. Instead, it said, “Jonathan Franzen: The Comedy of Rage is the first critical biography of one of today’s most important novelists.” Unfortunately, Weinstein’s warning was accurate.
This is not a biography of Jonathan Franzen. If readers know anything about Franzen, then they know more than this book will reveal. The Comedy of Rage is simply a book report. Weinstein writes about the books and stories Franzen has written and gives a detailed critique of each. Any reference to Franzen’s life is only an attempt to tie the writing to the man, as any novelist knows, a writers work may have a reflection of one’s life but iis not a one to one correlation.
The analysis of the characters in each of Franzen’s novels is somewhat interesting, but why not just read the novels for yourself? Weinstein writes as if this is a paper being presented to a gathering of English professors and he needs to impress them with his grasp of language. Franzen’s novels are complex, challenging, and literary. A book report does not need to be.
The other warning that should have come with this book is that it is full of spoilers. If a reader has not read Franzen, especially his newest – Purity, Weinstein reveals way too many plot points that will spoil the enjoyment of discovery.
My advice would be to pass on this book, unless you have read all of Franzen’s work. But if you have, then there is no need to read this unless you need fodder for a book report of your own.
This one gets two stars.
0 of 2 people found the following review helpful.
Five Stars
By Movie Lover
If you like Franzen, don't read this.
See all 3 customer reviews...
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